Created by Nick Herres somewhere around 2000, 2001.   Rendering of the Descent 3 Phoenix Intercepter done in Bryce3D.  Additional credit goes to Kumen who's 3DsMax model was used as a reference. 

http://www.visualarray.com/artwork/Phoenix.html

Copyright belongs to Nick Herres.

Key differences:

There's a 2-seater planned for the T-50;
The T-50 has a slightly larger (78.8 sq. m. against F-22's 78.04) and better-loaded (330 kg/sq. m. against 340, max. 470 vs. 487) wing, which makes it more agile in dogfight, combined with...
3D thrust-vectoring engines (Saturn Make 117 - no official name for the engines, they're still referred by development code) - the F-22's engines are 2D-vector only;
Improved radar signature, claimed to be smaller than F-22's (0.3-0.4 sq. m. in centimetre-range radar waves vs. F-22's 0.4-0.7);
Higher thrust:weight ratio (traditional for Russian fighters) - 1.19-1.38 combat-loaded, 0.84-0.97 max. weapons+fuel load/max. weapons load (1.17 combat/0.88 max. load for F-22);
Higher internal fuel load, 12500 kg., allowing the T-50 to work as a long-range interceptor with a high supersonic dash speed;
Higher maximum airspeed - 2100-2600 Km/h depending on altitude (most planes can actually go faster than their maximum rated airspeed, but at the risk of airframe damage);
Lighter than the F-22 (yes it's larger, but it also weighs less): 18500 kg. empty (F-22's 19820);
Higher max. G-load (10-11 g against 9.5 for the F-22).

If anything the performance is bound to be improved - the numbers are given for the T-50 prototype, not the production version (compare the T-10 with any Su-27 production variant).

Overall it's pretty similar, but the T-50 is designed to be an agile dogfighter with 3D thrust vectoring, a concept the USAF has forfeit. It has fully mobile fins (whole surfaces move, there're no rudders).

Cetacean as in dolphin.  Just listen to the song and you'll understand the title.
This was intended to be something I'd put together quickly to test out Sytrus in FL Studio.  I ended up spending a lot more time than I had intended on the composition part and adding many more instruments than I had intended... this has more instruments than most of my other songs.  There are only two non-Sytrus synths not counting the drums -- the staggered sweep pad was done with Stringsynth + FL Buzz Adapter and the synth drum is a soundfont played in FL Soundfont player.  I finished the song about 3 hours ago and it finished rendering about one hour ago.  It's not quite as melody-centered as Among Shards but there is definitely a recognizable lead (actually several in different parts), and it is very atmospheric.
I managed to find the full cover art from Startide Rising as well (art by Jim Burns, novel by David Brin), and it seemed kind of appropriate for this.  I believe the woman is Gillian Baskin and the man is Toshio (whatever his last name was).  One of the dolphins is probably Keepiru and the other one... I can't remember her name.

And in case you're wondering, yes I do have dreams about dolphins.  In fact it's probably the kind of dream I have most.